Auto Tune Tyrone Youtube

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If you switched on the radio in the summer of 1998, chances are you got a taste of Cher's 'Believe,' an up-tempo ode to bouncing back after a rough breakup. More than a quarter century after first rising to prominence as a 1960s folk artist, the 52-year-old Cher was once again climbing the charts. In malls, dance clubs and laser bowling alleys across the country, 'Believe' played frequently. By the time the dust had settled, the song had become Cher's bestselling recording ever -- and one of the bestselling singles of all time.

At the time, the most notable feature of the song was an electronic modification on the vocals. The effect first appears 35 seconds into the song, while Cher sings 'I can't break through.' On each of the last three words, Cher's voice undergoes a bizarre electronic glitch.

Jun 21, 2019  100 man. Just because he doesnt know how to use the tool to the full potential doesnt mean he isnt using it to a great deal of potential. Knowing how to change the keys and change the individual accidental note within the harmony is a different story. However, let the engineers worry about whether things are perfect. I hope he doesnt change, gets better and keeps us along for the ride!!

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The reason behind that glitch was Auto-Tune, a pitch-correcting software designed to smooth out any off-key notes in a singer's vocal track. Released only the year before 'Believe,' it was the recording industry's favorite dirty secret: With only a few clicks of a mouse, Auto-Tune could turn even the most cringe-worthy singer into a pop virtuoso. But most music studios kept it around simply to fix with the occasional wrong note.

During the recording sessions for 'Believe,' however, Cher's British producers had put the software into overdrive. Instead of lightly tuning the pitch of Cher's voice, they had adjusted the levels so sharply that it became an unmistakable part of the song. The effect was weird and robotic, but against a background of synthesizers and high-energy percussion, it worked like a charm. Opera singers have long been using vibrato, a technique of delivering a note in a constantly wavering pitch. As far as Cher and her producers were concerned, though, Auto-Tune was simply a computerized twist on the technique.

As 'Believe' hit the airwaves, the producers aimed to keep the lid on their new toy. So much so, that when interviewed about the technique by a sound engineering magazine, they lied and said it was due to a vocoder, a well-known voice modulation device used since the 1970s [source: Sillitoe].

Auto Tune Tyrone Youtube

But the truth eventually trickled out, and when it did, Auto-Tune's inventor, Harold 'Andy' Hildebrand, was shocked. Auto-Tune was supposed to be a behind-the-scenes trick for the recording studio. The New Yorker had compared it to blotting out the red-eye in a photograph, and Hildebrand himself compared it to wearing makeup [source: Frere-Jones, NOVA].

But now, Hildebrand's brainchild was making Cher sound like a robot. 'I never figured anyone in their right mind would want to do that,' Hildebrand told Time magazine [source: Tyrangiel] Whether he realized it at the time or not, Hildebrand's electronic creation was about to become one of the largest technological influences on popular music since Les Paul invented the modern electric guitar.

Song By Outto-Tune Tyrone Feat. ArturoBeat By: KontrabandzMastered By: @dualiitymusicLyrics: YeahOutto-Tune TyroneThe next time you're chillin' over on Innocence, it just might not be so innocent.This is a Creampie Creation, in association with Cop Killa RecordsWe still in here because we never pulled out cuhChorus:Don't you roll through the barrioSpeedy knows he will bury youI'm tellin' you, you know that I'm tellin' youSpeedy gonna fucking tell youThey ride in town there ain't nothing like the VagosWhen you see the color yellowBetter not even say helloThey don't wanna talk to you cuhUnless you give it up the goods yeahHey y'all, punto, you better watch where you goThe Family, the Ballers, you can't do shit so don't botherSpeedy El Jefe, better respect himCuz if you don't then he gun' catch you with a class 2 weaponSprayed so loud it's gonna deafenDon't worry though you'll be dead in seconds[Chorus]IM TELLIN YOUTHE NUMBER ONE RULEDONT COME TO JAMESTOWN ACTING A FOOLOR IM PULLIN OUT THE TOOLAND ILL PUT YOU IN A TOMBwell take your dinero and even your shoesORALE VATO we got soldiers GI JOECOUSIN HECTOR JUANILLLA MARIOEL JEFE SPEEDYN THIS ARTURObut loco n flippy they'll drop you to the floorthis our barrio adios homlesget your stuff getup n go back to your zoneif we catch you in the houses well turn into bonesIM TELLIN YOU! It's EAST SIDE VAGOS[Chorus]These bitches on the street do not know who we are manWe the fucking El Jefe of the Vagos manYou better leave my barrio before we jump on you just like Mario manWe the motherfucking Vagos in the streets puto what's upI'M TELLIN' YOU to leave my barrioDon't you roll through the barrioSpeedy knows he will bury youI'm tellin' you, you know that I'm tellin' youSpeedy gonna fucking tell youThey ride in town there ain't nothing like the VagosI'm tellin' you, you know that I'm tellin' you There ain't nothing like the Vagos There ain't nothing like the Vagos There ain't nothing like the Vagos

Genre
Hip-hop & Rap

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i never pull out

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lising 100 times

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Pog AF!

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